With virtues like “obedience” working as the laws which Vivien and the others live by, the academy is like that bastard husband that takes his wife out for their anniversary, and says she has to eat a salad or she’ll get fat, while his overweight ass gobbles down a double cheese-burger. And don’t even get me started on the different colored “vitamins” the girls are forced to take. And they’re fed the same boring rabbit food to a degree where rule-worshipping Ava ( Alexis Whelan) is excited about cabbage day. These girls get one “moving pictures” night a week, but are shown the same “ladylike” films so often, they’ve mesmerized every. Esterhazy litters her script with subtle hints at how awful life is at the academy. These are the key virtues which these young girls are taught. They are force fed ideas about what makes a perfect young woman in such a way that it will sicken you. And while Outerbridge has great presence, it is Canning who truly stands out as a villain with how easily she is able to turn her back on these young ladies while watching them suffer from the sexist ideals assaulting her as well.Įach year at the academy, the girls move up a level. You would be less afraid of a twenty-limbed spider-dog monster if it had an adorable name, right? Maybe? The point is, these girls are being led to believe that everything is all right, trapped in a life of ideals laid out by their elders. Sedation by means of making something seem harmless. The academy is dolled up to distract from its true menace, giving things cute names, like referring to Vivien’s new hall on Level 16 as “Rose Hall”, or calling the bathroom the “water closet”. Miro ( Peter Outerbridge) and Miss Brixil ( Sara Canning) work to give the place some normalcy. The academy works, in a sense, as a metaphor for the male dominated prison which society has built for women, beginning from the moment they’re born.
#Level 16 faceless girl full#
Level 16 is full of moments like this, made all the more frightening that things like this are happening to 16-year old girls, or younger. But when Vivien misses her turn after trying to help a younger Sophia ( Lori Phun), an alarm goes off and she is dragged away by guards to receive punishment…whatever that is. In the opening, we meet a young Vivien ( Sarah DaSilva) as she and other girls are in line for a nightly face wash routine to get “clean”, all of which is done in front of a security camera. Level 16 is more of a sci-fi drama than a horror film, but damnit, this story consistently chills viewers to the bone. Sixteen-year old Vivien ( Katie Douglas) soon learns that there is a dark secret behind the school after she and her friend Sophia ( Celina Martin) begin looking for answers.
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Written/directed by Danishka Esterhazy, Level 16 revolves around a group of girls trapped at the Vestalis Academy, a prison-like boarding school that teaches feminine “virtues” and how to be a lady, all so that the girls will be ready for adoption at the age of 16. A film like Level 16 is a perfect catalyst for such a lesson. But it’s my hope that more of those like myself are beginning to wake up to the wrongs that have been attributed towards women. Growing up, I would hear about these things, but I couldn’t or wouldn’t understand them. …As a white male, I’m ashamed to admit that it is only in the past decade that I’ve really noticed how cruel and controlling the world is to women.
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